The Conglomeration of Literature


Final Friday, a federal choose heard closing arguments within the Division of Justice’s antitrust case in opposition to Penguin Random Home (PRH) and Simon & Schuster (S&S). The trial will decide whether or not PRH, the nation’s largest writer, can purchase its rival, because it has deliberate to for almost two years. The Biden administration has argued that the acquisition would stifle competitors, hurting authors who rely upon bidding wars between publishing homes for his or her livelihood. Critics have cautioned that the merger would result in layoffs and additional constrain variety in an already homogeneous trade. If the case is determined within the publishers’ favor—a ruling is predicted in November—it is going to be solely the most recent improvement in a decades-long tendency towards consolidation within the trade. (PRH is itself the results of the 2013 merger between Penguin Group and Random Home.)

For this week’s publication (subscribe right here), I spoke with Jewish Currents contributor Dan Sinykin, a professor of English at Emory College who research the historical past of conglomeration in American publishing. His second ebook, The Conglomerate Period (forthcoming from Columbia College Press), will discover how company consolidation has formed literature. We mentioned the stakes of the trial and conglomeration’s affect on the literary panorama. Our dialog has been edited for size and readability.

Nathan Goldman: Why is the DOJ suing to forestall PRH from buying S&S?

Dan Sinykin: PRH and S&S are two of the 5 largest publishing homes within the US, which colloquially go by “the Large 5.” PRH is significantly greater than the remainder, and S&S is the third-largest. The DOJ is attempting to cease them from merging on antitrust grounds. It’s a bit uncommon for the federal government to attempt to block a merger the place there are nonetheless going to be 4 main corporations. However the post-merger firm may have anyplace between a 3rd and half of market share.

The case the DOJ is making is surprisingly restricted. They’re not arguing that that is going to hurt customers, however that it’s going to hurt a tiny sliver of authors—those that obtain advances of $250,000 or extra, which corresponds to solely 2% of commerce ebook contracts. The thought is that there are various instances when PRH and S&S are competing head-to-head towards the tip of auctions; an writer may get $650,000 if this was one firm, however as a result of there are separate corporations bidding in opposition to one another, that writer will get $850,000.

NG: Provided that the case is so narrowly centered, what’s at stake past these very massive advances being barely curtailed?

DS: In a method, this trial is the continuation of a decades-long energy battle between the publishing trade on the one hand, and brokers and authors on the opposite. Earlier than the Seventies, the facility steadiness between authors and publishers tilted closely towards publishers. It was within the ’70s that brokers realized how a lot leeway there was for them to struggle again on behalf of themselves and their authors. Brokers began to tug a few of the energy away from publishers. However within the a long time since then, the consolidation of publishing has been slowly eroding the facility of authors and brokers.

The Affiliation of American Literary Brokers and the Authors Guild, which is the biggest labor group for writers, are each against the acquisition. For them, it represents an influence shift towards PRH. Brokers and authors fear that PRH, which already has a 3rd or half the market share in books purchases, can have extra leverage to dictate phrases round writer contracts, jeopardizing a few of the issues that brokers have received for authors, like varied sorts of subsidiary rights and favorable royalty charges.

On this sense, this merger would have a lot farther-reaching penalties, extending past the highest 2% of authors and doubtlessly altering the phrases of contracts in a method that may have an effect on each writer. And if PRH makes these sorts of adjustments, different publishers will doubtless observe.

One other bigger consequence of the merger has to do with employees within the trade. On the trial, the pinnacle of mergers at one of many corporations stated that the merger will allow “headcount synergies,” which is an unimaginable corporate-speak euphemism. What he’s saying is that there could be various S&S staff on the chopping block. That is an trade that for a very long time has compensated its staff poorly, and gotten away with it due to the supposed non secular advantages of the work—it’s a ardour, so that you’re not imagined to ask for extra. Conglomeration exacerbates that as a result of it offers executives extra energy over the lower-end staff. And that has ramifications for variety. As many have identified, a longstanding cause for the whiteness of publishing is as a result of the individuals who can afford to work in it are individuals who come from privilege, and individuals who come from privilege additionally are typically white.

NG: How has this tendency towards conglomeration performed out within the trade over the previous a long time?

DS: A lot of the tradition industries—movie, TV, and radio—have been all extremely centralized and consolidated pretty early on, however for a very long time, ebook publishing wasn’t. That modified within the Nineteen Sixties, when The Instances Mirror Firm, a conservative newspaper dynasty in LA, purchased New American Library (NAL), which was crucial mass market publishing home on the time. In a foul omen for the way forward for conglomeration, they instantly diced up NAL with the assistance of McKinsey consultants, and inside the subsequent few years, NAL’s nice modifying workforce was scattered in varied locations. Following the acquisition of NAL, the publishing trade started to be conglomerated.

For essentially the most half, this was not too worrisome to folks exterior the publishing enterprise as a result of most of the acquisitions have been fairly benign—dad or mum corporations weren’t dictating an excessive amount of of what their acquisitions did. However finally, as dad or mum corporations started demanding progress quotas, conglomeration incentivized being extra profit-oriented. Starting within the ’70s, the dad or mum corporations started to implement extra types of bureaucratic rationalization—issues like revenue and loss kinds, that are ubiquitous within the enterprise right now—to make sure that the underside line could be prioritized.

The identical period noticed the rise of wholesalers and ebook chains. Beforehand, when booksellers purchased instantly from publishers, issues have been actually sluggish and laborious to do at scale. However beginning within the ’70s, swiftly, publishing homes had this capability to create tremendous hits—books that might promote on a mass scale—by way of this mixture of conglomerate publishers, ebook chains, and the rise of entrepreneurs and publicists, who started eroding editors’ autonomy inside publishing homes. These authors generated such unimaginable model recognition that publishers may depend on them to promote for the remainder of their profession. So the late ’70s is while you begin getting your Stephen Kings, your Danielle Steels, your Michael Crichtons. That was one of many early outcomes of conglomeration.

NG: How did authors and brokers reply to the onset of conglomeration? And what was the federal government’s function in intervening or permitting it to occur?

DS: Within the ’70s, literary editors, writers, and the Authors Guild began to freak the fuck out. They understood that there had at all times been a steadiness between movie star memoirs and crosswords and cookbooks and literary books, however conglomeration was threatening to shift that steadiness such that literary books may turn into totally negligible. In 1977, Herman Wouk, John Hersey, and John Brooks wrote this press launch on behalf of the Authors Guild the place they raised the alarm, saying that conglomeration was going to destroy literature and that issues have been getting too centralized, and asking the federal government to step in by way of a Senate listening to or an antitrust case.

So authors and brokers have been calling for the type of antitrust case we’re now seeing for 45 years. What’s loopy is that the Senate was receptive. There was a senator from Ohio, Howard Metzenbaum, who took it up on a subcommittee. In 1980, there was an antitrust listening to about whether or not or not the ebook enterprise must be damaged up. E.L. Doctorow testified on behalf of breaking apart the conglomerates because the consultant from PEN; [the modernist poet] Archibald MacLeish testified. It was similar to what we’re seeing now the place you may have all these well-known authors on the one hand, and however, there are the CEOs of those publishing corporations coming in and saying, “Publishing is as numerous as ever, every part’s going nice.” Just a few months after the listening to, Ronald Reagan received the presidency on an anti-antitrust platform and created a really hospitable setting for acquisitions and mergers inside the similar trade. Earlier than, there had been some precise limits to that technique, so companies have been buying corporations in different industries. However below Reagan, issues bought considerably worse.

NG: Within the wake of this consolidation, what have been the enterprise fashions for publishers exterior conglomerates?

DS: In the present day, now we have three massive buckets. We’ve bought the conglomerate presses, and inside them, a gazillion imprints that have been as soon as their very own factor however are actually working inside the logics of conglomeration.

Then we’ve bought the nonprofit presses. Within the ’80s, all the anxiousness and worry amongst literary sorts discovered an outlet within the creation of the nonprofit literary motion. Of us began considering: If theaters, symphonies, and opera homes can get nonprofit funding to subsidize them with out having to be totally dependent available on the market, why can’t books? The nonprofit presses that got here out of that second—Graywolf, Espresso Home, Feminist Press, Dalkey Archive—are actually this actually necessary various that emerged in resistance to conglomeration.

After which we’ve bought the independents. To me, essentially the most attention-grabbing of those is W.W. Norton, which is an employee-owned cooperative. Norton publishes all these textbooks, anthologies, and significant editions which can be basically constructed into English departments, and this offers them a extremely robust revenue margin. Greater ed affords Norton a buffer that permits them to do issues on the commerce facet that they perhaps couldn’t do in any other case—it additionally permits them to keep away from being purchased. Curiously, Norton got here up time and again within the trial. PRH and S&S wish to paint Norton as a viable competitor to recommend that there’s extra competitors than the federal government is making it appear.

NG: What affect has the conglomeration of publishing had on the range of printed authors?

DS: Completely different enterprise constructions create completely different incentives, which in flip form the horizon of chance for what will be printed. Conglomerate publishers function with an inherently conservative logic: They attempt to reproduce traits that exist already. As an example, every new ebook must have “comparable titles”—beforehand profitable books it may be in comparison with. Which means there are solely so many nonwhite writers that match the necessities of conglomerate publishing. There was this nice piece by Richard Jean So and Gus Wezerek in The New York Instances a pair years in the past displaying the extraordinary whiteness of conglomerate writer lists. In the present day we’re in an odd second due to post-George Floyd political shifts inside publishing. However till the final two years, publishing was simply an especially white trade. It was very troublesome for a nonwhite author attempting to get printed within the ’90s, when the entire publishing trade was overtaken by the logic of conglomeration. Toni Morrison edited at Random Home for 16 years and would say, “They’ll actually solely have room for considered one of us at a time.”

As a result of nonprofits are mission-driven, and people missions typically entail variety, they are going to pursue writers of coloration, however these writers are additionally structurally tokenized. And nonetheless, there are particular sorts of nonwhite writers that nonprofits are likely to need.

NG: If PRH is allowed to purchase S&S, will or not it’s a dying knell for American literature?

DS: To begin with, my sense is that the choose appears sympathetic with the DOJ. So it wouldn’t shock me if she blocks the merger. In that case, a possible situation we’d see is S&S merging with both HarperCollins or Hachette. Their CEOs truly testified in opposition to the PRH merger, partly as a result of they want to buy S&S themselves. These mergers would in all probability go uncontested, not like the one with PRH, which is simply a lot greater than anybody else.

If the merger does find yourself occurring, it is going to be an incremental continuation of the identical trajectory we’ve seen in publishing for many years. It’s a mistake to assume that the continued conglomeration will lead on to the destruction of literature. Numerous attention-grabbing issues are generated in resistance to conglomeration. The nonprofit presses exist as a direct results of it. There’s a dialectical relationship to what sort of literature is made potential due to conglomeration; it’s not merely a one-sided foreclosing of the chances for literature. And even inside the conglomerates, authors at all times carry creativity to structural limits.

With a purpose to see what’s really limiting the chances for what sort of literature is printed, you truly should look rather more broadly, on the class construction within the US, like who will get to go to MFA packages, who truly will get alternatives, and the deep nepotism concerned in mentor–mentee relationships that each one occur earlier than you even get to an agent submitting a question to a publishing home. The merger between PRH and S&S attracts our consideration to this a lot bigger set of networked issues, however in and of itself, this case is a drop in a 50-year bucket.


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